Eisha Loves shares the daily struggles Black trans women face in Chicago and across America.

Gabriella, a young twenty-five year old from Milan , is married to the lawyer Bernasconi, a middle-aged man, without scruples, who in the past had been the lover of Gabriella's mother. Gabriella falls in love with Franco, an airplane test pilot. Her husband, however, is not willing to grant her a divorce.

根据真实事件改编——莫妮卡是一位忠诚的单身母亲和寄养家长，她决定收养孩子。令莫妮卡震惊的是，她遭到了反对，因为孩子们是白人而她是黑人，但她拒绝放弃这场斗争。

Isabella and Henry were childhood sweethearts. Isabella dreams of the arrival of a vulgar woman named Emily.

Just when covert assassin Eddie Jones decides to ditch his dangerous job to settle down with his girlfriend, his superiors convince him to kill a renegade drug cartel hit man -- leading to nothing but trouble. Complicating matters is Eddie's vow of celibacy and the fact that Lois is unaware of his murderous lifestyle.

#25 in the King of Minami series. A trans dancer named Rio is in debt to Manda after trying to finance a trip to the US for gender reassignment surgery, still illegal in Japan. The owner of a prestigious nightclub recruits her, introduces her to a doctor in Osaka who performs the illicit surgery and even agrees to foot the bill. But when the club owner turns out to have ulterior motives, Rio turns to Manda for help.

An abusive woman who stops at nothing short of murder to get her way. Monee Kinyard emasculates, humiliates and physically abuses her ex-military fiancee', Earnest Anderson, who does all he can to appease her.

A ruined stockbroker is blamed for killing the crooked financier who lured his wife.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.